![]() ![]() In Hamburg he also presented a number of works by contemporaries, including his father, Telemann, Graun, Handel, Haydn, Salieri and Johann David Holland (1746–1827). Between 17, he wrote twenty-one settings of the Passion, and some seventy cantatas, litanies, motets, and other liturgical pieces. The following year he produced his most ambitious work, the oratorio Die Israeliten in der Wüste (The Israelites in the Desert), a composition remarkable not only for its great beauty but for the resemblance of its plan to that of Felix Mendelssohn's Elijah. ![]() The job required the steady production of music for Protestant church services at the Michaeliskirche (Church of St. Bach began to turn more of his energies to ecclesiastical and choral music in his new position.
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